A Winning Format Can Change Your Revenue World

The latest Nielsen results are coming out and now is a good time to review where you are. If the format targeting is right, you’ll probably do well.

But the main question is where do you want to be in the ratings?

In the competitive game of radio, performance counts more today than ever. The cheese (the demos) has moved in many formats. And there is a fix for that. Today, you need to make every element count and do more to stand out. Radio is war.

Continuous growth and improvement are a good things if performance matters. To solve an issue, there needs to be a change, a fix, or many times, trying something totally different. Asking the right questions can generate a better result. Most importantly, when asking station questions, start with what do we want to keep.

A ratings problem is defined as the gap between “where you are today” and “where you want to be”. Nielsen problems are opportunities for a new beginning. Radio programming success is a choice for you to make.

Lyles Media is not your typical programming partner. We’ll have your back and give you the absolute best programming advice that focuses on solving issues before they can impact on your performance and we always recommend a call to action. We’re always seeking incredible stations to partner with. Reach out, if that’s you and let’s start a conversation and work together on the next ratings period. All calls are completely confidential. Call Harry Lyles: (404)403.0091.

Rhythmic success in one rating period. WDHT/Hot 102.9, Dayton with minor adjustments had the hightest ratings in the stations history!

 

Are You In It To Win It?

Over the years, we’ve learned winning isn’t easy, but it’s also not brain surgery. And yes, brain surgeons are relieved they are not in the radio programming business, but that’s another column for another day.

If your radio station isn’t winning it is because it isn’t set up to win and mistakes get in the way causing audience loss.  Black or Rhythmic formats win by exceeding the listeners’ expectations. It’s a simple formula. Stay away from programming confusion. Avoid it at all cost.

Winning Black and Rhythmic radio stations should focus programming on delivering the best content from the listener perspective. The listener knows what they want. Winning formats maintain a listener-oriented competitive edge and advantage and continue day after day to exceed the listener expectations.

Any format and especially Black stations can’t be all things to all people. Trying to satisfy everyone makes you special to no one.  You should create something distinctive, uniquely yours, that gets liked and noticed and makes the locals talk.  Be famous for something, promote vigorously and score with the locals.

When it comes to formats, Gospel belongs on Gospel, Hip Hop belongs on Hip Hop, R&B belongs on R&B and Talk belongs on Talk.  When you mix a music-driven station with a talk format in afternoon drive you are causing listener confusion. Are you music or are you talk?  You’ve created a split personality radio station, ignoring the listener expectation.

Black talk belongs on Black talk stations. Stay away from impeding your growth as some are doing.  That’s not how it works. Today’s radio is a specialized game where you must stand out from the rest if ratings and revenue matter.

Radio is war, more so today than ever.  In many markets, to win the war means taking no risk at all.  The job is to make sure all the elements of the radio station’s strategic approach are in place and connected as they should be with a disciplined approach to the goals. Black radio does a great deal of sharing with many formats. You can’t afford to take risks in any area and especially music and talent.  If the radio programming isn’t laser targeted, station issues will happen and vulnerabilities will appear.

In programming the best people to identify and solve issues or problems are the one who are closest to the work. It begins with YOU!

We are always looking for incredible broadcasters to partner with who are serious about winning. Reach out if that’s you at 770.594.7171. Come join our list of winners, making money. There is no better feeling on a station management level than seeing a winning station grow and make money when all the station pieces are in the right place in every daypart.

Harry On-Air With The Raleigh-Durham Sports Shop | Hawks Talk

On-air with the Raleigh-Durham Sports Shop! Host, Erroll Reese and KMac invited Harry to talk about the Hawks on their show 6.21.21.

 

Creative Talent Inc. Interview, 5 Programming Questions with Harry Lyles

Radio Programming That Works

5 Questions with Radio Advisor Harry Lyles

Program & Process Your Stream for Success

Telos Alliance of Cleveland, Ohio interviewed Harry Lyles about programming, streaming and audio. Click here to read.

Capitol Broadcasting Debuts New Morning Sports Show

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Buzz Sports Radio will debut “The Sports Shop with Reese & Kmac” on Tuesday, July 5, 2019 from 6 to 9 a.m. Listeners have a variety of ways they can listen and watch the program including; 99.3FM/96.5FM/620AM/99.9HD2. The show will also stream (audio/video) at WRALSportsFan.com and with the WRALSportsFan App.  “The Sports Shop” will be the first African-American sports talk morning show in the Raleigh-Durham market.

Dennis Glasgow, Capitol Broadcasting sports radio operations manager and program director says, “We’ve wanted to bring more diversity to our listeners that would reflect the Raleigh-Durham population, and we will do that by bringing a very entertaining and energetic show with ‘The Sports Shop.’”

“The Sports Shop” co-host Erroll Reese said, “We are very excited and humbled to be taking the show to the next level with the move to morning drive. We are very happy to have the confidence of Capitol Broadcasting behind our show.” The Sports Shop is consulted by Harry Lyles of Lyles Media.

“The Sports Shop” Talks With Harry About Prince

Erroll Reese and KMac of the Raleigh-Durham highly rated Sports Shop talk with their very own radio adviser Harry Lyles about the death of Prince. Click here listen and enjoy some fun talk.

Radio Ink: The State Of Urban Radio 3.7.16

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Harry Lyles answers questions from Radio Ink about the state of Urban Radio. (3.7.16)

Radio Ink "State of Urban Radio"

Tom Taylor Now: Harry Lyles Talks “Classic Hip Hop” 10.29.15

Happy First Birthday to “Boom” (and today’s classic hip-hop format). (10.29.15)

Though consultant Harry Lyles contends that “Classic hip-hop is simply the wrong name for the format,” and he’ll explain why in a moment. It’s been almost exactly a year (October 13, 2014) since Radio One shelved Houston’s “News 92” KROI and replaced it with “Boom 92.” The hype then was that KROI was “the first major-market throwback hip-hop station of its kind in the country.” Southern California’s KDAY/KDEY (both 93.5) had been exploring much of the same playlist for years, but Radio One felt it was formulating the music of the 1990s and 2000s differently.

Radio One CEO Alfred Liggins knew the rapturous reception for the format would die down in each market where they’ve introduced it (Dallas, Philly, etc.). But that the main questions were, #1, would it settle in at a good level and #2, was the new “Boom” an improvement over the format it replaced? Liggins seems happy with Houston, where he’s no longer losing millions on an all-newser that couldn’t find its footing. (“Boom 92” is cheaper to run.) And here are the Nielsen topline age 6+ AQH shares for the Houston Boom – there was a 1.0-share from the previous all-news station. Then a 3.2 in Boom’s first month, when weekly cume exploded from 225,000 to 825,000 in its debut week. The next PPM monthlies after the 3.2 were a 2.9 and a 2.5. How about recently? The last four months have run 2.0-1.7-1.7-1.7. Radio One still likes the strategy of owning the classic hip-hop position for Houston, in between its young-end urban “Box 97.9” KBXX and urban AC “Majic 102” KMJQ. And so far it’s stuck with Boom in other markets. The ripple effect has Cumulus/Westwood doing a more inclusive musical take, based on its roaring first-book-#1 success at Indy-market “93.9 the Beat” WRWM. This NOW Newsletter’s asking some experts about “Boom” and its progeny –

• “This is the new Adult Urban AC,” says consultant Harry Lyles of Lyles Media Group. As you read in the first story, Harry thinks that “Classic hip-hop is simply the wrong name for this format. Our research tells us, and the ratings success or lack of it teaches us, that the real targeted hip-hop fans don’t call it ‘classic hip-hop,’ and don’t like the name. They refer to it as ‘Hip-hop’ or when applicable, ‘Old School Hip-hop.’” Harry also says “using labels like ‘OG’ [for ‘Original Gangsta’] or ‘Boom’ do the format no favors, and can accidentally paint a negative picture.

But when properly programmed, this format can be widely accessible, musically focused, easy to promote, and it can create incredible time-spent-listening.” He says “professionally programmed and marketed Hip-hop and Old School Hip-hop often are great word-of-mouth formats and can deliver powerful and positive listener attention.” But there’s the dimension of talent – “Sadly, many of the existing stations have the wrong type of talent, especially in the morning. It is important that the talent reflects the age and mindset of the target listeners. And as is often the case, the strength of the station, beyond the music, also relies on the morning show – and to be honest, most stations miss the boat.”

And finally, what Harry said up-top – “Based on what we have learned, this is the new adult urban AC, that has more appeal than regular UAC.”

The Angie Martinez Story, Leaving Hot 97

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Harry Lyles was consultant to the relaunch of Hot 97 in summer of ’93 when he met Angie Martinez who was working in the promotions department. She wanted to be on the radio just like her successful mother in Boston. After many practice sessions in the production room, we put Angie on Hot 97 to do overnights. The story became history as Angie got better and better and made it happen with New York success starting with Emmis’ Hot 97 and later moved on to iHeart’s Power 105.1 to do afternoons. Currently, a radio legend in New York- with encouragement, coaching, the right direction and talent dedication it proves anything is possible when collectively we work together.

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